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Multilevel storytelling

A good story demands to be told, but there are now so many ways to tell it. Which is the best? Literature, film, theatre or some form of social media? Whatever. Remembering always that every story begins with words.

e-Books

e-Books

Thousand of titles in one place.
Yeah, that’s how eBooks work.

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Film Production

Film Production

In our films, we are focused on innovative concepts with a fresh approach. The combined experience of the in-house team covers documentaries, music videos, short films and new media content, with a strong cinematographic approach. Focused on science, history, culture.

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VR - 360 Content

VR - 360 Content

Picture yourself inside a movie. The most immersive experience.
Welcome to Virtual Reality.

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Full DOME Projects

Full DOME Projects

Full Dome Cinema is frequently connected with planetariums, but it is not only about science and space. Time to entertain those big cinemas audience – more.

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Distribution

Distribution

On-line the new biggest world cinema!

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FCPX Templates

Working hard for your easy plugins!

Visit Catalogue
Albert Einstein once asked,

“if a cluttered desk is a sign of a cluttered mind, of what, then,
is an empty desk a sign?”

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about

Cinema the Magic Vehicle

Why are films by Sergei Eisenstein, Orson Welles, Akira Kurosawa or Stanley Kubrick works of art? What elements of style and film technique are involved? What is vital to their personal vision? Here is everything you need to know about feature cinema: the films which have withstood the test of time and are well worth watching today, although many have been unjustly neglected.

A Comprehensive Guide, 1913-1950

This is a chronological panorama of the achievement of world feature cinema intended for film buffs, people wanting to know more about cinema and as a supplement to cinema and media courses at all levels, broadening the outlook of students and maybe even instructors. People seriously interested in the art of cinema will have some pointers to the films which have withstood the test of time and are still worth watching today, especially if otherwise neglected for various reasons.

Volume Two 1951 - 1963

The relative newness of the art of cinema makes it possible to discuss the entire key opus of feature-length films in a text of reasonable length. In a few years’ time, this will no longer be possible: until the Second World War no more than approximately twenty truly valuable films were being made worldwide each year, by the late 1950s their number exceeded forty and is now at least sixty. The book is intended both as a look at cinema as a whole and a description of individual works which have not become devalued with the passage of time.

Volume Three 1964 - 1966

The main concern here is the aesthetic quality of a film. What makes certain films by Erich von Stroheim, Sergei Eisenstein, Orson Welles, Federico Fellini, Robert Bresson, Akira Kurosawa or Stanley Kubrick works of art? What elements of style and film technique are involved? What is vital to their personal vision and makes their films what they are? Such questions can be answered by discussing the pictures individually. No previous acquaintance with cinema or wide general knowledge is assumed and a short introduction-synopsis of the most important events in cinema history is included.

Work
12 900

Frames of Film

7565

Book Pages

100 000

Photographs or More

360

Points of View

about
work

Films

We believe our work speaks for itself.

Maybe because most of them are stereo.

Sometimes they are Dolby 5.1 🙂

"What’s seemingly a simple thing

can actually be the hardest to achieve."

Roger Deakins
work
team

VR - 360 Projects

Picture yourself inside a movie. The most immersive experience. Welcome to Virtual Reality.

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testimonials
Distribution - just does what it says it does. No surprises! Flexible in terms of using the features and easily tweaking different options. Things are arranged so that you can find them easily when you need them.

Planet RGB

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Planet RGB Limited

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